Mark Meszoros

Edward Berger was due for a mediocre hand. The filmmaker has been on a hot streak with his last two directorial efforts, 2022’s German-language adaptation of “All Quiet on the...

As evidenced by 2012’s “Sinister” and 2021’s “The Black Phone,” director Scott Derrickson has a gift for blending realism with the supernatural — and for conjuring a sense of dread...

An interview with Bill Murray opens “John Candy: I Like Me,” director Colin Hanks’ formulaic but richly enjoyable documentary about the late, great Canadian comedic actor. Murray apologizes for having...

Light Cycles take to the real world, and Jeff Bridges adds flavor to yet another story about AI.

We meet Cillian Murphy’s titular character in “Steve” as he’s about to be interviewed on camera. He asks the crew to stop filming him for a moment as he tries...

Like a virus, desperation thrives in the unforgiving cold of Northern Minnesota in “Dead of Winter.” The environment heightens the largely engrossing kidnapping thriller, which is in theaters this week....

It’s a reasonably different movie, but “The Roses” — an adaptation of Warren Adler’s 1981 novel, “The War of the Roses,” that hits theaters this week — has the same...